SOPRANO SPINTO, NADÈGE MEDEN IS DISTINGUISHED BY AN INTENSE STAGE PRESENCE AND A VOICE WITH STRONG DRAMATIC PROJECTION, CAPABLE OF EMBRACING WIDE EXPRESSIVE ARCS. HER APPROACH TO SINGING IS BASED ON A CONSTANT SEARCH FOR DRAMATIC CONTINUITY, VOCAL COLOR AND EXPRESSIVE TENSION. HER REPERTOIRE IS AROUND THE GREAT HEROINES OF THE ITALIAN AND GERMANIC REPERTOIRE.
SHE PERFORMS IN PARTICULAR FLORIA TOSCA (TOSCA, PUCCINI), A ROLE THAT SHE WILL SING AT THE LE COURANT PASSE FESTIVAL IN PARIS IN 2026 AS WELL AS AT THE OPERA OF BUSSETO. SHE ALSO ADDRESSES ARIADNE (ARIADNE AUF NAXOS, R. STRAUSS), TURANDOT (TURANDOT, PUCCINI), LADY MACBETH (MACBETH, VERDI), AIDA (IN CONCERT), ELISABETTA (DON CARLOS, VERDI, OPERA COMIQUE), ELETTRA (IDOMENEO, MOZART), FIORDILIGI (COSÌ FAN TUTTE, MOZART), THE TITLE ROLE OF CARMEN, FRASQUITA (CARMEN, BIZET), DIDON (DIDON AND AENEAS, PURCELL), AS WELL AS FREIA AND WOGLINDE (RHINE GOLD, WAGNER).
FINALIST OF THE ACCADEMIA VOCI VERDIANE OF THE TEATRO REGIO DI PARMA, SHE CONTINUES IN-DEPTH WORK ON THE VERDIAN REPERTOIRE.
IN CONCERT, SHE IS SOLO SOPRANO IN GÓRECKI’S SYMPHONY N°3 WITH THE ORQUESTA SINFÓNICA NACIONAL DE COLOMBIA AT THE FESTIVAL INTERNACIONAL DE MÚSICA SACRA DE BOGOTÁ UNDER THE DIRECTION OF MANUEL HERNÁNDEZ-SILVA (2022). SHE ALSO PERFORMS IN VERDI’S REQUIEM (DIR. PAUL KUENTZ) AS WELL AS IN FAURÉ’S REQUIEM. HER ACTIVITY AS A RECITALIST INCLUDES IN PARTICULAR THE VIER LETZTE LIEDER BY RICHARD STRAUSS.
SHE ALSO DEVELOPES THE DISCOGRAPHIC PROJECT À L'HEUR UNCERTAINE, DEDICATED TO MELODIES OF COMPOSERS, WITH THE PIANIST SORAYA VERDIER (ENREGISTREMENT PRÉVU EN SEPTEMBRE 2026). ON THIS SUBJECT, FORUM OPERA HIGHLIGHTS:“SOPRANO NADÈGE MEDEN INTERPRESSES AS AN INTERPRETER, GIVING FLESH TO THIS DEMANDING VOCAL WRITING, IN AN EXTENSION OF THE IN-DEPTH WORK THAT SHE IS CARRYING OUT AROUND THE REPERTOIRE OF COMPOSERS. »
PARALLEL TO HER STAGE CAREER, SHE PARTICIPATES IN THE DOCUMENTARY CHARLOTTE SOHY – THE CONSECRATION OF A COMPOSER (DIRECTED. MATTHIAS WEBER, DIFFUSION FRANCE TÉLÉVISIONS, 2026) AND CONDUCTS MEDIATION ACTIONS WITH YOUNG PEOPLE PUBLIC.
TRAINED AND ACTIVE BETWEEN FRANCE, ITALY AND GERMANY, SHE SPEAKS FLUENTLY FRENCH, ITALIAN, ENGLISH AND GERMAN, AN ASSET IN HER APPROACH TO EUROPEAN DIRECTORIES. SHE HAS WORKED WITH ARTISTS SUCH AS JENNIFER LARMORE, GRACE BUMBRY AND NADINE DENIZE, WHO DEEPLY INFLUENCED HER VOCAL AND STAGE APPROACH.
Biography
SOPRANO SPINTO, NADÈGE MEDEN IS DISTINGUISHED BY AN INTENSE STAGE PRESENCE AND A VOICE WITH STRONG DRAMATIC PROJECTION, CAPABLE OF EMBRACING WIDE EXPRESSIVE ARCS. HER APPROACH TO SINGING IS BASED ON A CONSTANT SEARCH FOR DRAMATIC CONTINUITY, VOCAL COLOR AND EXPRESSIVE TENSION. HER REPERTOIRE IS AROUND THE GREAT HEROINES OF THE ITALIAN AND GERMANIC REPERTOIRE.
SHE PERFORMS IN PARTICULAR FLORIA TOSCA (TOSCA, PUCCINI), A ROLE THAT SHE WILL SING AT THE LE COURANT PASSE FESTIVAL IN PARIS IN 2026 AS WELL AS AT THE OPERA OF BUSSETO. SHE ALSO ADDRESSES ARIADNE (ARIADNE AUF NAXOS, R. STRAUSS), TURANDOT (TURANDOT, PUCCINI), LADY MACBETH (MACBETH, VERDI), AIDA (IN CONCERT), ELISABETTA (DON CARLOS, VERDI, OPERA COMIQUE), ELETTRA (IDOMENEO, MOZART), FIORDILIGI (COSÌ FAN TUTTE, MOZART), THE TITLE ROLE OF CARMEN, FRASQUITA (CARMEN, BIZET), DIDON (DIDON AND AENEAS, PURCELL), AS WELL AS FREIA AND WOGLINDE (RHINE GOLD, WAGNER).
FINALIST OF THE ACCADEMIA VOCI VERDIANE OF THE TEATRO REGIO DI PARMA, SHE CONTINUES IN-DEPTH WORK ON THE VERDIAN REPERTOIRE.
IN CONCERT, SHE IS SOLO SOPRANO IN GÓRECKI’S SYMPHONY N°3 WITH THE ORQUESTA SINFÓNICA NACIONAL DE COLOMBIA AT THE FESTIVAL INTERNACIONAL DE MÚSICA SACRA DE BOGOTÁ UNDER THE DIRECTION OF MANUEL HERNÁNDEZ-SILVA (2022). SHE ALSO PERFORMS IN VERDI’S REQUIEM (DIR. PAUL KUENTZ) AS WELL AS IN FAURÉ’S REQUIEM. HER ACTIVITY AS A RECITALIST INCLUDES IN PARTICULAR THE VIER LETZTE LIEDER BY RICHARD STRAUSS.
SHE ALSO DEVELOPES THE DISCOGRAPHIC PROJECT À L'HEUR UNCERTAINE, DEDICATED TO MELODIES OF COMPOSERS, WITH THE PIANIST SORAYA VERDIER (ENREGISTREMENT PRÉVU EN SEPTEMBRE 2026). ON THIS SUBJECT, FORUM OPERA HIGHLIGHTS:“SOPRANO NADÈGE MEDEN INTERPRESSES AS AN INTERPRETER, GIVING FLESH TO THIS DEMANDING VOCAL WRITING, IN AN EXTENSION OF THE IN-DEPTH WORK THAT SHE IS CARRYING OUT AROUND THE REPERTOIRE OF COMPOSERS. »
PARALLEL TO HER STAGE CAREER, SHE PARTICIPATES IN THE DOCUMENTARY CHARLOTTE SOHY – THE CONSECRATION OF A COMPOSER (DIRECTED. MATTHIAS WEBER, DIFFUSION FRANCE TÉLÉVISIONS, 2026) AND CONDUCTS MEDIATION ACTIONS WITH YOUNG PEOPLE PUBLIC.
TRAINED AND ACTIVE BETWEEN FRANCE, ITALY AND GERMANY, SHE SPEAKS FLUENTLY FRENCH, ITALIAN, ENGLISH AND GERMAN, AN ASSET IN HER APPROACH TO EUROPEAN DIRECTORIES. SHE HAS WORKED WITH ARTISTS SUCH AS JENNIFER LARMORE, GRACE BUMBRY AND NADINE DENIZE, WHO DEEPLY INFLUENCED HER VOCAL AND STAGE APPROACH.
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